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Everywhere at the end of time
by The Caretaker
supported by 7 fans who also own “Ian Ball: The Most Dangerous Working-Class Dissenter”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Tomorrow's People
by The Heartwood Institute
supported by 7 fans who also own “Ian Ball: The Most Dangerous Working-Class Dissenter”
This entire album is INCREDIBLE! Thank you!
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supported by 6 fans who also own “Ian Ball: The Most Dangerous Working-Class Dissenter”
a fantastic voyage, exquisite beauty, shrill dissonance, soars, crashes, flails in impossible depths, triumphs, cries, static electricity, thin, hollow, achingly alive, incantations of human fragility and grace, press this to vinyl! i beg you!
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North Carolina producer Lvers makes “occult beat music”—crackling noise with heavy industrial rhythms that's surprisingly alluring.
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Taiwanese performance artist Sabiwa uses warping bass, brittle beats, and shifting sample layers as the base for her charismatic vocals.
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Blood Oath
by RITUALS OF THE DEAD HAND
Crushing doom with eerie, unholy vocals, Rituals of the Dead Hand are the sound of a grim midnight séance.
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We, so tired of all the darkness in our lives
by Leyland Kirby
supported by 6 fans who also own “Ian Ball: The Most Dangerous Working-Class Dissenter”
During the final days of writing my thesis I listened to this album on repeat for hours at a time. It was like being suspended in one eternal moment while all that changed around me were the ripples and eddies of a slowly meandering river.
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